Good Idea / Bad Idea
Friday, 19 July 2019 10:44Last night I saw Be More Chill staged by the Monumental Theatre Company.
There are a lot of little theater companies in DC doing very good work, and I would like to go see more of it. I like live theater, and the TodayTix app #notsponsored makes it pretty simple to find something to see, even if there are no guarantees about quality.
Speaking of quality: I liked the feel of the company itself; they were set up in the black box theater of Episcopal High School (a local elite boarding school roughly the size of my tiny liberal arts college), they had cute company t-shirts, they served alcohol and were quite chill.
The show on the other hand…. Since I'm now old enough that I think Benny Was Right (RENT), maybe I should have guessed a high school musical was not going to work for me. Also, this is the original version of script and score from the pre-Broadway run; I hope that it tightened up some off-Broadway.
But the music, lyrics, and characters felt generic and archetypical, rather than specific. They genderflipped the computer (why does the computer have a gender‽) to "look like Buffy the Vampire Slayer" instead of Keanu Reeves, and did some staging adjustments to avert some rape-y implications. A lot of the pop culture stuff felt dated (maybe this will ease into period in the next twenty years? If this show is around in 20 years? Please don't be around in 20 years.) The protagonist was also terrible. His only desire was for Christine, but what was it that the liked about her, specifically? I watched the whole damn musical and I do not know. Jeremy had no interests (except for porn), no wants (except for his dad to put on pants), and no relationships except with his stoner best friend, Mike.
One thing that is weird and frustrating about this show is that Jeremy insists that Christine is the only romantic connection worth having, but since he doesn't articulate* what, specifically, makes her intriguing, it's never clear why the warm and sexy relationship he has with Brooke is not enough to satisfy his romantic aspirations.
If I were younger, I could see projecting myself into these lifeless, feckless, undifferentiated characters, but I'm not and I didn't.
*The music mix was bad. The band drowned out the performers for part of every song. Maybe Jeremy said what Christine special to him in his song about her, but I honestly didn't hear it.
Despite the material and the band mix, most of the actors got a decent glory note moment, just enough energy and face to make me want to watch them in something good. I especially liked Caroline Dubberly as The Squip and Christian Montgomery as Michael. Nigel Rowe as Rich really made the most of his song, but not much else. The only complete snore was Jonathan Helwig as Jake.
I'll keep my eyes out for future Monumental Theatre Company productions, but I'm not going to bother with Be More Chill again.
There are a lot of little theater companies in DC doing very good work, and I would like to go see more of it. I like live theater, and the TodayTix app #notsponsored makes it pretty simple to find something to see, even if there are no guarantees about quality.
Speaking of quality: I liked the feel of the company itself; they were set up in the black box theater of Episcopal High School (a local elite boarding school roughly the size of my tiny liberal arts college), they had cute company t-shirts, they served alcohol and were quite chill.
The show on the other hand…. Since I'm now old enough that I think Benny Was Right (RENT), maybe I should have guessed a high school musical was not going to work for me. Also, this is the original version of script and score from the pre-Broadway run; I hope that it tightened up some off-Broadway.
But the music, lyrics, and characters felt generic and archetypical, rather than specific. They genderflipped the computer (why does the computer have a gender‽) to "look like Buffy the Vampire Slayer" instead of Keanu Reeves, and did some staging adjustments to avert some rape-y implications. A lot of the pop culture stuff felt dated (maybe this will ease into period in the next twenty years? If this show is around in 20 years? Please don't be around in 20 years.) The protagonist was also terrible. His only desire was for Christine, but what was it that the liked about her, specifically? I watched the whole damn musical and I do not know. Jeremy had no interests (except for porn), no wants (except for his dad to put on pants), and no relationships except with his stoner best friend, Mike.
One thing that is weird and frustrating about this show is that Jeremy insists that Christine is the only romantic connection worth having, but since he doesn't articulate* what, specifically, makes her intriguing, it's never clear why the warm and sexy relationship he has with Brooke is not enough to satisfy his romantic aspirations.
If I were younger, I could see projecting myself into these lifeless, feckless, undifferentiated characters, but I'm not and I didn't.
*The music mix was bad. The band drowned out the performers for part of every song. Maybe Jeremy said what Christine special to him in his song about her, but I honestly didn't hear it.
Despite the material and the band mix, most of the actors got a decent glory note moment, just enough energy and face to make me want to watch them in something good. I especially liked Caroline Dubberly as The Squip and Christian Montgomery as Michael. Nigel Rowe as Rich really made the most of his song, but not much else. The only complete snore was Jonathan Helwig as Jake.
I'll keep my eyes out for future Monumental Theatre Company productions, but I'm not going to bother with Be More Chill again.